A picture of the front cover of Days Between Stations by Steve Erickson, published by Vintage Contemporaries in September 1986.

Steve Erickson – Days Between Stations (1986)

Bibliographic Description

86.09.W024: Erickson – Days Between Stations

DAYS | BETWEEN | STATIONS | [two page-width rules intersecting “ST” of “STATIONS”] | A NOVEL BY Steve Erickson | VINTAGE CONTEMPORARIES | VINTAGE BOOKS • A DIVISION OF RANDOM HOUSE • NEW YORK

First Vintage Books Edition, September 1986

128 leaves, pp. 110 11-22 2324 25-34 3536 37-53 5456 57-78 7980 81-92 9394 95-110 111112 113-131 132134 135-158 159160 161-186 187188 189-205 206208 209-236 237238 239-253 [2]

Contents: 1 blurbs and author photo, 2 blank, 3 title, 4 imprint, 5 epigraph, 6 blank, 7 fly-title, 8 blank, 9 blank, 10-253 Days Between Stations, χ1b about the author, χ2a blank, χ2b blank.

Cover design by Lorraine Louie; cover illustration by Rick Lovell; interior author photo by Alison Cobb.

Copyright: ©1985. ISBN: 0-394-74685-6. Price: $6.95. Days Between Stations was first published by Poseidon Press/Pocket Books, a division of Simon & Schuster, 1985.

Copies: JDP 1.1 (presumed)

Blurbs

  • (front cover) Daring, haunting, sensual… – Thomas Pynchon
  • Steve Erickson has that rare and luminous gift for the reporting back from the nocturnal side of reality, along with an engagingly romantic attitude and the fierce imaginative energy of a born storyteller. It is good news when any of these qualities appear in a writer—to find them all together in a first novelist is reason to break out the champagne and hors-d’oeuvres. – Thomas Pynchon
  • A fascinating first novel. – The Philadelphia Inquirer
  • Steve Erickson is a very impressive talent. His imagination is boldly cinematic and his ear for the music of language is subtle and sure. – Ron Loewinsohn, author of Magnetic Fields
  • Erickson is brilliant. Period. Days Between Stations is the novel of a young writer who could come in range of Thomas Pynchon. Who might, if pushed enough, become the kind of writer Norman Mailer used to refer to as ‘major.’ He brings love back from angst and gives it a function. – Michael Ventura, The Los Angeles Weekly

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